Filed under: Movies
From the New York Times:
Last weekend, like seemingly half the country, I took my son to see "X-Men: First Class," the latest, and best, big-screen incarnation of the popular comic book franchise.
My son and I represent two generations of X-fans. I came of age in the '80s and '90s and can still recall when Xavier's students were lords of the Underground, and the phrase "comic book movie" conjured absurd images of David Hasselhoff donning an eye patch. The boy is of the present era, where the geeks and nerds throne and Hollywood is compelled to seriously contemplate the cinematic potential of B-listers Namor, Luke Cage and Ant-Man. Still, we were united across the ages in our love for the X-Men - patron-saints of the persecuted and the champions of freaks and pariahs across the globe.
In print, the X-Men are an elite team culled from a superpowered species of human. The mutants, as they are dubbed, are generally handled roughly by the rest of humanity and singled out for everything from enslavement to internment camps to genocide.
As if to ram the allegory home, the X-Men, for much of their history, have hailed from across the spectrum of human existence. Over the decades, there have been gay X-Men, patrician X-Men, Jewish X-Men, Aboriginal X-Men, black X-Men with silver mohawks, X-Men hailing from Russia, Kentucky coal country, orphanages and a nightmarish future.
Read more here.