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Trend Alert: 70s Style Floppy Hats

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big hat
70s trends are here to stay and for the past few seasons wide leg pants, oversized sunglasses, jumpsuits, and bohemian maxi dresses have been popular. But the floppy hat is another trend making waves. These flimsy brimmed hats (hat above is $29.99 at Zara) are glamorous and are available at multiple price points. Choose the right style for your taste.


Basic

If you want a simple hat you can pair with a variety of outfits go with one in solid black or brown. You can wear it year round with a number of different colors. This hat from Target will cost you only $12.99.
hat



Floral
If you'd like more character go with this floral cut-out style from ASOS for only $21.55, reduced from $43.10.

hats


Stripes

Stripes are a great substitute for solid black, white, brown or gray and can be paired with brights and neutrals. If you're up for the bold pattern try this 70s style ASOS hat for $17.24 .


hat

 

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Director of Casts Her Next Film

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Ava DuVernay, the film director behind the critically lauded I Will Follow and a champion for black independent film, is already working on her her next feature, Middle of Nowhere, which is slated for release next year. The movie stars Emayatzy Corinealdi as a woman dealing with the fallout from the incarceration of her husband, played by David Oyelowo.

DuVernay announced that she'd added Edwina Findley, who is probably best known as one of Omar's partners in larceny on HBO's The Wire, and Omari Hardwick, who appeared in Follow and Tyler Perry's For Colored Girls.

Read more here.

 

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For New Schools Chief, a Policy Statement in Tones of Harmony

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From the New York Times:

Dennis M. Walcott, New York City's schools chancellor, hates prepared texts for speeches and wears a pedometer to count his daily steps. So it stands to reason that during a 14-stop marathon of graduations over the past week, he frequently abandoned his seat and improvised.

Read more here.

 

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Documentary Touching on Effect Boston Busing Riots Had on Latinos

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From Fox News Latino:

A documentary to be unveiled this week will revisit the tumultuous busing riots in Boston in the 1970s, with a rarely seen look at its effects on Latinos and Asian-American families. The toll the riots had on those communities had gone largely unnoticed by media and historians.

Read more here.

 

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Book With Advice For Growing Healthy Black, Afro Caribbean, and African American Hair Now Available Through iTunes

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From PRWEB:

Now more than ever before, Black, Afro Caribbean, and African American women around the world are embracing methods, advice, and products to help them take care of their hair naturally, without chemicals. Now, those that use the ipad, ipod touch, or iphone, have an additional resource available to them. Originally published in print in 2007, the book Twelve Steps For Growing Black Hair is now available in the iTunes iBookstore.

Read more here.

 

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Fox News Contributor Calls Jon Stewart Racist For Mocking Herman Cain

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Jon Stewart has thumped with the folks over at Fox News before, both on "The Daily Show" and on occasion, to their faces. (Last week, Stewart went on "Fox News Sunday with Chris Wallace" and mockingly, but pointedly, went in on the conservative-leaning network.)

Now Bernie Goldberg, a frequent contributor to the network, has fired back at Stewart in a FoxNews.com blogpost titled "Is Jon Stewart Racist?" In it, Goldberg argues that liberals and conservatives are held to different standards when it comes to issues of race, and when criticizing black politicians in particular. Goldberg accused Jon Stewart of impersonating Herman Cain, the Republican presidential candidate, in an "exaggerated 'Amos & Andy' 'black voice.'"

"But why isn't Jon Stewart a bigot, when Limbaugh and Hannity and O'Reilly would be tagged as racists if they had done the very same thing?" Goldberg asks. "That's easy. Because Jon Stewart is a liberal and liberals aren't racists. Only conservatives are."

Here's video that has Goldberg so incensed
. (The Cain bit starts at the 1:50 mark.)



Cain has said that Stewart doesn't like him because he's a black conservative, and that he's often mocked for his political leanings. "I have been called "Uncle Tom," "sell out," "Oreo," "shameless," he said at a recent campaign event. "So the fact that he wants to mock me because I happen to be a black conservative, in the words of my grandfather, "I does not care. I does not care."

Alex Alvarez has been watching this whole kerfuffle, and laments what he sees as the cynical way charges of racism are employed in American politics. "In the long term, it serves only to reduce matters of race and ethnicity to trump cards held, at the ready, in the back pockets of pundits and politicians on either side of the aisle, to be pulled out whenever it suits either side," he writes.

To spiral off Alvarez's point, Incidents like this --- hurling allegations of racism at an ideological opponent, and then the obligatory hand-wringing over whether that person or their behavior was in fact, racist --- reaffirm the idea that being called a racist is worse than actually experiencing racism. Goldberg isn't so much concerned with discrimination so much as he's mad that he feels that his fellow conservatives get a bad rap for perpetuating it.

This brouhaha also speaks to how Cain has made his blackness a major part of to his pitch to be president. (In 2008, Obama resorted to dogwhistling to black people, but his campaign assiduously avoided talking too explicitly or too long about race.) Cain is pitching himself as a familiar type --- the aggrieved conservative dogged by the media --- but with a racialized twist. Maybe it's because he needs to find some way to differentiate himself from a field of Republican candidates that's ideologically more or less the same. But part of it is because Republicans, like Goldberg, are clamoring for cover from charges of being the party of racists (see: the selection of Michael Steele as head of the Republican National Committee).

And who better to do that for them than an actual black man? Even if he's just a fringe candidate with no shot of winning anything?

 

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Snapped: Dwayne Wade and Gabrielle Union Hit 'Transformers' Premiere

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gabrielle union

Cute couple Gabrielle Union and Dwayne Wade dressed to the nines for the premiere of 'Transformers: Dark Side Of The Moon' in New York City. Union wore a lacy black dress and suede r wedges. Her basketball boyfriend played around with color and wore a blue blazer, plaid shirt, white pants and hot pink shoes.



Full Length
gabrielle union


Gabrielle Union
black actress


 

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Obama Urges Deal on Debt Ceiling Talks

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From CNN:

President Barack Obama said Wednesday that both Republicans and Democrats need to be willing to "take on their sacred cows and do tough things" in order to reach an agreement on raising Washington's debt ceiling and getting federal deficits under control.

Read more here.

 

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Toni Morrison's Grand, Gabled Princeton Home Hits the Market

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From Curbed:

Princeton, N.J., is a quaint town full of lovely architecture and even lovelier tree-lined streets; its esteemed university and hourlong commute into NYC makes it a prime setting for wealthy family folk. So how does one separate the men from the boys in the game of high-end real estate?

Read more here.

 

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Jill Scott Celebrates First No. 1 Album on Billboard 200

Don Cheadle's Company Signs First-Look Deal with Showtime

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From Deadline Hollywood:

Don Cheadle, star of Showtime's upcoming comedy series 'House of Lies,' is expanding his relationship with the pay cable network through a first-look deal for his Crescendo Prods. Under the one-year pact, Cheadle and his producing partners Kay Liberman and Lenore Zerman will develop and executive produce series projects for Showtime.

Read more here.

 

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Norm Lewis, Audra McDonald to Star in 'Porgy and Bess' This December

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From Playbill:

The American Repertory Theater production of the George Gershwin-DuBose Heyward folk opera 'Porgy and Bess,' which begins performances in August, will arrive on Broadway Dec. 17 at the Richard Rodgers Theatre. Official opening will be Jan. 12, 2012. Producers are Jeffrey Richards and Jerry Frankel.

Read more here.

 

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Eric B. & Rakim

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Eric B & Rakim


There's only one hip-hop group who can claim to have had a presidential-caliber DJ and a rapper known as 'The God MC': Eric B. & Rakim. The trailblazing rap duo elevated rap from mainly being party songs to music that placed a premium on deeply coded lyrics and undeniably soulful, sampled beats.

Queens native Eric B. (Barrier) and Rakim (William Griffin Jr.) from Wyandach, Long Island, emerged as a duo in the mid-80s, ushering in hip-hop's golden era with songs that were both sophisticated and funky.

Eric. B, as DJ and producer, provided the perfect beat backdrop, complementing Rakim's dead-eye flow with samples of vintage soul and funk records, most notably from James Brown. Meanwhile, Rakim is largely regarded as hip-hop's best ever lyricist for his near poetic mastery of complex metaphors, internal rhyme patterns and cool-as-ice delivery.

50 Cent, who considers Rakim one of his favorite rappers, told MTV in 2006: "Rakim was way ahead of his time when he came out. To me, him and KRS-One were the best rappers. He was able to stay street-orientated while being intelligent. He seemed more intelligent than the rest of the other artists out there that were just rapping. Everything about him, his whole swagger, him as a person, is what made that work, and he made other MCs come up behind him and follow in his footsteps so hard."

The pair connected when Rakim met Eric B., a mobile DJ, at New York radio station WBLS. In 1985, they recorded their first 12-inch single, 'Eric B Is President' b/w 'My Melody,' on Harlem indie label, Zakia, which became a huge street hit. They soon signed to 4th & Broadway, and as legend has it, the duo completed its landmark debut 'Paid In Full' in just seven days.

The album contained hits such as 'I Ain't No Joke,' 'I Know You Got Soul' and the incredible title track.

Their sophomore album, 'Follow the Leader,' was released on MCA in 1988 and featured more densely packed rhymes from Rakim, who was steadily becoming the personification of hip-hop cool. He was stoic, stylish and thoughtful with raps that embraced black nationalism and alluded to his spiritual side as a member of the Five Percent Nation, an offshoot of the Nation of Islam.

Subsequent albums - 1991's 'Let the Rhythm Hit Em' (which received a five-mic review in 'The Source') and the following year's 'Don't Sweat the Technique' - and single from the 'Juice' soundtrack, 'Juice (Know the Ledge),' cemented their reputation as one of hip-hop's most skilled practitioners.

The group split in the mid-90s to focus on solo projects. Eric B. released one self-titled album to little notice. On the other hand, Rakim has attempted several times (with solo albums 'The 18th Letter' and 'The Master') to produce the same high-quality music he released with his former partner, but the disc met with mixed results. (A full album from a much-hyped collaboration with Dr. Dre never materialized.)

These days, Eric B. works behind the scenes in the music business and Rakim still tours as a solo artist. He's set to appear with EPMD and Funkmaster Flex at a Central Park Summerstage concert in New York on Aug. 21.


Influenced...Nas, Jay-Z, Eminem, Notorious B.I.G., Gang Starr, Wu-Tang Clan, , Black Thought, Mos Def, Talib Kweli, among others.







 

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African-American Shakespeare Company to Present 'Cinderella,'Inderella,' 'Xtigone,' & More

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From Broadway World:

San Francisco's African-American Shakespeare Company proudly announces the lineup for its 17th season. The season marks African-American Shakespeare Company's second season under the artistic leadership of acclaimed actor and director L. Peter Callender. The season opens in December with an enchanting holiday production of 'Cinderella' directed by Executive Director Sherri Young; this new take on the timeless fairytale has become a seasonal favorite for families and children of all ages.

Read more here.

 

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Fashion Forward (or Guard)

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From the New York Times:

Fans are still chuckling about Charles Barkley bursting out of the garish purple sports jacket he wore to the National Basketball Association draft more than a quarter-century ago. And who could forget Joakim Noah of the Chicago Bulls striding onstage in an oversize tan tuxedo and a giant paisley bow tie that seemed straight out of the Ringling Brothers fall men's line?

Read more here.

 

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African Leaders Scorn NATO From $837 Million Resort as Qaddafi Clings On

Top 10 Covers of Old School Rap Songs

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lil wayne; black music month


They say imitation is the sincerest form of flattery, but the hip-hop community generally considers it blasphemous to take a fellow rappers' lyrics. For that reason, it's rather uncommon to find emcees covering songs by other emcees. ('In tha Beginning There Was Rap,' a 1997 compilation of rap covers, is one notable exception.)

But as Lil Wayne, The Roots, Snoop Dogg and others on this list prove, old school hip-hop is ripe for reinterpretation by rockers, pop acts and other new school rappers.
We compiled a list of our favorite remakes of classic rap tunes below. Some actually do justice to their source material and in some cases, the cover is even better than the original.





10.
The Def Squad (Redman, Erick Sermon and Keith Murray), 'Rapper's Delight' (Sugar Hill Gang)
Giving props to the Sugar Hill Gang, the trio sticks closely to the original song's script. The video features b-boys dancing, retro fashions and the infamous "chicken that tastes like wood."





9. Ben Folds Five, 'Bitches Ain't Shit' (Dr. Dre)
In this unlikely cover from Ben Folds, the piano man transforms the bouncy (albeit misogynistic) original from Dr. Dre's 1993 album, 'The Chronic,' into an impossibly sweet-sounding rebuke of scandalous women. Sounds like a paradox, but it works.





8. Black Star, 'Children's Story' (Slick Rick)

When Mos Def and Talib Kweli combined as Black Star in the mid-90s, the Brooklyn rappers paid homage to Slick Rick on this remake of the Bronx icon's classic track about dodging the police. At this live performance, the duo run through their version in which the lyrics are a pointed critique the music industry.





7. Rage Against the Machine, 'Pistol Grip Pump' (Volume 10)
Before these rockers parted ways in 2000, they satisfied their hip-hop jones by including a few hip-hop remakes on their last studio album, 'Renegades,' a collection of cover songs from artists such as Devo, MC5, Cypress Hill and others. This underappreciated cut by Los Angeles rapper Volume 10 gets an overhaul that really makes you want to jump in a mosh pit. Or cock back the ratchet.





6.Tricky, 'Black Steel in the Hour of Chaos' (Public Enemy)
On his 1995 debut album 'Maxinquaye,' Tricky enlisted Martina-Topley Bird to assist on the vocals of this remake of this bracing Public Enemy song (from their influential 'It Takes A Nation of Millions to Hold Us Back' album). The track is an indictment of the prison system and a retelling of a prison riot. Somehow the pair makes the track sound even more menacing and urgent.





5. Rage Against the Machine, 'I'm Housin' (EPMD)
Off the same 'Renegades' album, Rage clocks in again here. This time their interpretation of EPMD's 'I'm Housin'' becomes a growling, sneering declaration of intent. It's so far from the laidback yet steely-eyed attitude of the Long Island trio's original but this rocked-out rendition works so well as an unrepentant chest-beater.




4. Jay Electronica, 'My World (Nas Salute)' (Nas)
For this New Orleans rap eccentric to remake "The World Is Yours' from Nas' classic album, 'Illmatic,' shows that the upstart has guts. He adds his own lyrics, rhyming over a jazzy beat that's arguably better than the original. If Jay Electronica has designs on being considered rap's next great lyricist, this song is could easily make his case.





3. Snoop Dogg, 'Lodi Dodi' (Slick Rick and Doug E. Fresh)
On his 1993 debut album, 'Doggystyle,' Snoop Dogg honored his rap heroes Slick Rick and Doug E. Fresh when he re-recorded this classic party jam. Snoop's elastic delivery is every bit as memorable as Rick's Bronx-British accented rhymes. If only he could beatbox like Doug...





2. The Roots, 'Raw' (Big Daddy Kane)

No matter how much the critics praise their studio albums or how cushy their job as Jimmy Fallon's talk show band seems, the Roots don't rest on their hip-hop laurels. If you catch them live, Questlove, Black Thought and crew are liable to spend just as much time performing their own songs as covers of vintage rap tracks. Here, Thought keeps the pace with Big Daddy Kane as the duo trade verses on the Brooklyn rapper's 'Raw.'




1. Lil Wayne, 'Hail Mary' (Makaveli aka Tupac Shakur)
During Weezy's recent 'Unplugged' performance on MTV, he did an excellent and emotional rendition of Tupac's 'Hail Mary.' He might not have the vocal range of the late rapper to be able to reach those sing-songy parts of the chorus. But Wayne proved he's every bit as good as Pac at interpreting music with feeling, depth and truck loads of charisma.


What's your favorite remake of an old school rap song? Let us know in the comments.

 

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Ex-Assistant Sues Wayans Bros for Stealing Jokes

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From the Hollywood Reporter:

Trial alert! On July 12th, the best comedy in Los Angeles will not be heard at the Improv, but rather a federal court as the Wayans brothers face down a former assistant who charges that Keenen, Shawn and Marlon ripped off jokes for their book, 'You Know You're a Golddigger When...' Jared Edwards worked for the comedy family for a decade and wrote jokes about women who prey upon wealthy men. He claims he pitched the idea for book that would include material like "You know you're a golddigger when you know more about sports players' stats than an ESPN analyst."


Read more here.

 

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DJ Pete Rock: NYPD Brutalized Concertgoers

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The accounts of what happened after the Peter Rock and Smif-n-Wessun show in New York City early on Wednesday morning couldn't be more different. But a few things are clear: dozens of police converged on the crowd outside of the venue, at least a few patrons were beaten and five police officers were injured.

The police said a fight between 25 to 30 people had erupted outside of the venue, Tammany Hall, on the Lower East Side. People were throwing beer bottles, "a sandwich board and anything else that they could get their hands on," the police said. Police said that "violent individuals" in the crowd turned on responding officers and that the officers then used "appropriate force" in suppressing the attacks.

But several witnesses, the artists themselves and video (see video below) from the scene paint a slightly different picture.

"It was a melee, it was crazy and absolutely unnecessary," said Pete Rock, the legendary DJ and music producer, who joined Smif-n-Wessun (all pictured below) at the show to celebrate the release of "Monumental," a collaboration between the trio. "It was an attack on us" by the police.


Pete Rock said that he first noticed something had gone awry toward the end of the show. As he stood on stage and the lights slowly came up, he said that he saw a handful of officers rushing into the venue. Then he said he watched them pounce on a friend, toss him against a wall and then proceed to pummel him with their clubs.

"They beat him like he was Rodney King," he said in a phone interview on Thursday. Then someone from the front yelled out to him that his wife and daughter were outside and possibly in danger. Pete Rock said that he dashed from the stage and out to the street where he found the two of them unhurt but on the ground. His daughter, Jade, 24, was protecting her mother's body with her own, as a sea of humanity rushed and clamored around them.

Others weren't so lucky, witnesses said. Men and women were pushed and struck in equal measure, they said.

"I was just thrown back because I always see this on the news and hear it talked about but never find myself in the middle of it," Pete Rock (pictured below) said, standing outside of Manhattan Criminal Court where family and friends of those arrested had gathered for a press conference.

Pete Rock's daughter was arrested during the melee and charged with assaulting an officer. She was released Thursday morning.

Other witnesses said the police, dozens of them, swooped down on the crowd like a blue wave, lashing out at party goers with profanity and in some cases batons. People capturing the scene with cell phones or cameras were targeted, witnesses said.

"It felt like an ambush," said Ness, of the hip-hop group the A-Alikes. "Everyone was feeling good, it was a good event and as soon as we stepped outside it was like whoa."

Until then, witnesses said that the night had gone off without a hitch, and that the scene inside the venue was positive, peaceful and familial.

But outside, the police said, trouble was brewing.

Paule J. Browne, the NYPD's top spokesman, said that just after midnight on Tuesday the police arrived at the scene in response to a call from private security at the club to assist with overcrowding inside.

When officers got there, he said in an email, a large fight was in progress.

"As the club security and police instructed individuals to leave the overcrowded venue, one of the patrons refused and began to resist arrest, yelling for others to help him fight with police," Browne said. "A large, unruly crowd formed, several of whom fought with police, egged on by the patron who was being placed under arrest. "

Browne said that five officers were hospitalized, suffering a range of injuries including one with a broken front tooth, another with a broken nose, a third with lacerations to the neck, cheek and elbow, a fourth with contusions to the head and face, and a fifth with multiple contusions to the head.

Five people were arrested, he said, slapped with charges that include assault, inciting to riot, disorderly conduct and obstructing governmental administration. One of those arrested received lacerations to the head, Browne said. He said the police acted well within bounds given the situation.

"Police used appropriate force in effecting arrests of violent individuals who fought with officers," he said.

Meanwhile, a lawyer, Kenneth Montgomery, has been hired to represent those claiming that the police abused them.

The police action was "unjustified, unprovoked, and simply barbaric considering there was no provocation," Montgomery said in a statement. He said that the altercation began outside of the club with someone denied access to the club and that a "minor argument ensued," that was eventually diffused by bouncers. But 20 minutes later officers from the 7th Precinct arrived and chaos ensued.

"Present at the event were artists, industry tastemakers, fans, photographers, and cameramen. Several people began filming and recording the unprovoked brutality, much to the dismay of the police," Montgomery said. "The officers then began to mace and assault anyone within arms length, including several women."

The violence left those in attendance that night rattled.

Steel, of the rap group Smif-n-Wessun, (pictured below) described the events as "insanity, pandemonium, the prequel to Armageddon."

"It happened so fast the facts are so blurry," said Steel, who walked off stage and five minute later found himself in "pure hell."



"We were having such a good time but it went from hot to cold in minutes," he said. Rumor has it that the ruckus began outside at the entrance when someone was denied access to the club. But nobody said they knew for sure, since they were inside until the very end of the show.

"Hip-Hop gets a lot of bad play, but this particular venue, it was like a family event," said Steel. "You could feel the energy in the room. And then to go out to have this event end this way... there was no warning."











Interview video credit: newsone.com

 

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Sam Cooke Honored in Chicago Street Naming Ceremony

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Had he lived, Sam Cooke would have turned 80-years-old in January of this year. His life and legacy were celebrated with the naming of 36th Street, Chicago, Illinois as Sam Cooke Way on Saturday, June 18.

The location of Sam Cooke Way in Chicago's Bronzeville neighborhood, is birthplace to some of Chicago's most talented artists in music and the associated arts. It is where the Cooke family settled after migrating from Clarksdale, Mississippi in the early 1930's, initially residing at 3527 Cottage Grove Avenue and later moving to 724 E. 36th Street.

Young Sam Cooke attended the neighborhood's Doolittle Elementary School and, in 1948, graduated from Wendell Phillips High School. The unveiling of the new Sam Cooke Way street sign took place with the participation of the office of 4th Ward Alderman Will Burns, 3rd Ward Alderman Pat Dowell, Sam Cooke's younger brothers L.C. and David Cooke as well as other Cooke family members, legendary radio personality and "Mayor of Bronzeville" Herb Kent, Cook Country Commissioner Jerry Butler (himself a soul music legend, who proclaimed June 18, 2011 as Sam Cooke Day in conjunction with the street naming ceremony), and Chicago Blues Museum CEO Gregg Parker and well over 400 Sam Cooke fans and fellow musicians.

 

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